In 1986, Kiki of Paris introduced a new vision of photographic works—a complex system and an intellectual approach designed to offer an entirely new way of seeing images.
Art, in its perpetual quest for renewal and innovation, has often turned to more refined concepts to enrich and diversify its expressions.
Among these, the notion of polymorphic sequences presents a fascinating perspective on how works of art can be conceived, perceived, and interpreted.
Defining Polymorphic Sequences in Art
According to Kiki of Paris, a polymorphic sequence in art can be defined as a composition that manifests multiple distinct forms or sequences, coexisting or transforming depending on the observer’s perspective. These sequences are not fixed; they evolve and shift in form, offering a multitude of interpretations and experiences for the viewer.
This phenomenon can be found in visual works, installations, performances, and other artistic media. Polymorphic sequences thus challenge rigid classifications, encouraging a dynamic interaction between the artwork and its audience.
The Role of Structuralism
In the context of art, structuralism suggests that every work is understood through underlying codes and sequences that determine its meaning. The structuralist approach in art seeks to unveil these codes and examine how they interact to generate meaning.
As a result, structuralism provides a theoretical framework for interpreting polymorphic works, where the multiplicity of sequences and forms allows for a wealth of interpretations based on the rules and structures identified by the viewer.
Structuralism as a Foundational Element of Polymorphic Sequences
By emphasizing sequences and systems of relationships, structuralism enables artists to create works that are inherently polymorphic.
For example, an artist may design an installation that changes shape depending on the viewing angle or the spectator’s interaction, thus illustrating the structuralist theory that different perspectives lead to different structured interpretations.
Moreover, structuralism helps to understand how these polymorphic forms can coexist within a single work without reducing it to a single interpretation. Each interaction with the artwork unveils a new layer of sequence, allowing for a continually renewed and dynamic experience that mirrors the fluidity of human sequences of understanding and communication.
Polymorphic sequences engage the viewer in an interactive dialogue where multiple interpretations are not only possible but actively encouraged. By breaking down traditional boundaries of artistic interpretation, Kiki of Paris stands as the creator of polymorphic sequences—pioneering a true innovation in how art is created, perceived, and lived. Structuralism, by providing the tools to decode these complex interactions, plays a crucial role in both the construction and appreciation of these versatile works.
