A Journey Through the World of Forms and Natural Divergences
Art has always been a reflection of the complexity and beauty of nature. From the earliest cave paintings to contemporary installations, artists have sought to capture the essence of the world around them. The term Real Abstraction represents a distinctive artistic movement—one that seeks to create a unique work from a natural element. This movement stands apart in its singular approach to nature, exploring shapes and distortions to generate creations that transcend the visible, reaching into the very essence of natural objects.
What Is Real Abstraction?
Real Abstraction is an artistic concept that aims to unveil the intrinsic beauty of natural elements by reinterpreting them in an abstract manner. Unlike pure abstraction, which detaches completely from visible reality, real abstraction uses tangible natural elements as a point of departure. These elements may include geometric forms found in nature, textures, or patterns observed in plants, minerals, and landscapes.
To fully grasp what real abstraction represents, one must explore some of the key methods and approaches used by artists within this movement.
Photography is one of the most powerful mediums for exploring real abstraction. Artistic photographers often use the camera as a tool to capture details invisible to the naked eye, transforming natural elements into abstract compositions.
Key Figures in the Real Abstraction Movement
Karl Blossfeldt, a German photographer from the early 20th century, is renowned for his close-up photographs of plants and flowers. His work highlights the geometric patterns and structures inherent in nature, revealing a beauty often overlooked. Blossfeldt regarded nature as the greatest artist, and his photographs are a perfect example of how real abstraction can be achieved through photography.
Edward Weston, a pioneer of modern photography, also explored real abstraction through his photographs of seashells, vegetables, and landscapes. Weston used light and shadow to accentuate natural forms, creating images that seem abstract yet remain faithful representations of the photographed objects.
I have been naturally drawn to real abstraction, and some of my images stand as a testament to this movement.
